... or Daft Punk (in the world, Thomas Bangalter and Guy-Manuel de Homem-Christo) have really direct this Daft Punk's Electroma and then they have to plant it - now - to make records and to engage seriously cinema, or we have just put the signature and then the origins of this small, little-known masterpiece will remain forever unknown. Daft Punk's Electroma is a medium length of about seventy minutes, presented at the 2006 Cannes Film Festival Directors' Fortnight section.
He was awarded the Director's Fortnight for his photographic technique and for the soundtrack, as compared - unfavorably - Gerry in Gus Van Sant and The Brown Bunny by Vincent Gallo for the narrative sequences and dilated, and the long tracking shot in which the two Daft walk in the desert did leave room for a large share of public at the Cannes Film Festival.
I've made available the download (735MB) from HERE.
Look at everything. And if you do not like, come back here to insult me \u200b\u200btoo.
And do not rush. Do not expect to clip and assembly languages \u200b\u200bto Michael Bay.
think more (oh my God, I'm gonna say it) Kubrick or David Lynch (here, I've said that god forgive me).
ps do not need you like the music of Daft Punk.
There's even a note.
Here Thomas Bangalter and Guy-Manuel de Homem-Christo only deal (and this is a great touch of genius, in my view) the selection of songs that comment Daft Punk's Electroma : a soundtrack that draws, among others, Brian Eno, Chopin, Curtis Mayfield, Sebastien Tellier, Haydn, Rundgre Todd and C. Jackson Frank.
pps I do not remember if I told you already, but to me, not even their music I like.
I bought two of their discs, and put them on a regular basis to see if I had missed something that over time can invece a cogliere, ma niente. Non li sopporto.
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